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本文以消声与言说为切入点,提出葆拉·马歇尔的《褐女孩、褐砖房》将少女萨丽娜的声音置于被母亲消声与个体发声的张力之间,置于种族主义的消声压力与黑人发声努力的张力之间,置于个体自我发声与巴巴多斯族群发声双重需要之间。这一设计不仅成功以女性双声言说的变化表现少女的成长,也以叛逆期少女不畏权威、伸张自我寓意种族歧视语境中被消声女性具有言说能力,体现了兼顾族群发展与女性个人发展的后殖民女性主义立场。
This article takes the silence and the speech as the starting point and puts forward Paula Marshall’s “Brown Girl, Brown Brick House” to put the sound of the girl Salina between the tension that the mother silences and the individual voice, Between the pressure of the muffler and the tension of the black voice, it is placed between the individual self-voice and the dual needs of the Barbados. This design not only succeeded in showing the girl’s growth with the change of women’s double vociferation, but also demonstrated her ability to speak in the context of racial discrimination with the rebellious girl’s fearless authority and self-righteousness, reflecting both ethnic development and individual development of women Postcolonial feminist position.