二十世纪初,徐悲鸿将欧洲古典学院派的写实画风引进中国,由此拓展了中国人物画语境的深度、力度和广度。上世纪五十年代以降,蒋兆和将写实又推上了一个新的高度,由此使“徐蒋体系”成为现代美术教育的重要支柱。而徐、蒋“以素描融传统笔墨”的写实画风也渗透到每一个创作领域,并培养出一大批富有成就的写实派人物画家。当下正处于全面推进民族文化伟大复兴的新时期,对传统的回归可以说是时势所趋,在这一思潮的影响下,新一代写实画家 In the early twentieth century, Xu Beihong introduced the realistic style of the European classical academy into China, thus expanding the depth, intensity and breadth of Chinese portrayal of human figures. In the 1950s, Jiang Zhaoguo put the factual reality again to a new height, thus making “Xu Jiang System” an important pillar of modern art education. Xu and Chiang ’s realistic style of drawing traditional ink with sketch is also permeating every field of creation and cultivating a large number of accomplished realist painters. Nowadays, we are at a new era of comprehensively promoting the great rejuvenation of our national culture. The return to tradition can be said to be the trend of the times. Under the influence of this trend of thought, a new generation of realistic painter