中国画的人文精神追求,决定了中国画深刻的思想内涵,以及为达到最佳的表现样式,太多的优秀画家在艺术道路上的不懈探索和孜孜以求。孙文松以自己几十年的艺术道路,创新着中国传统艺术的笔墨语言,在道与真的创新与融合方面,剑走偏锋,意达云霄,在中国画的艺术长廊中,形成了独特的创作景观。宏观求道,微观探真,是孙文松艺术创作的骨脉,并且成为其山水画创作的主体语言。中国画历来以追求“大道”作为人文精神的终极取向,所以才有了“外师造化,中得心源”的创作理念,强调既要师法自然,又要传抒胸臆,天人合人 The pursuit of the humanistic spirit of Chinese painting has determined the profound ideological connotation of Chinese painting as well as the tireless exploration and assiduous efforts of many outstanding painters on the artistic path in order to achieve the best performance style. Sun Wensong, with his decades of art path, innovated the language of pen and ink of Chinese traditional art. With its unique combination of Taoism and true innovation and integration, Sun Yat-sen reached the sky with a unique creation in the art gallery of Chinese painting landscape. Macro-seeking, micro-exploration is the bones of Sun Wensong’s artistic creation, and become the main language of his landscape painting creation. Chinese painting has always been the pursuit of “Boulevard ” as the ultimate orientation of the humanistic spirit, so there is “creative teacher, good source ” creative concept, emphasizing that both teachers and students should naturally, but also express my feelings, day People together