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书法 ,于静态的字象中略呈现的运动感 ,不单是出自运笔动作过程历时性的重现 ,而且是观者对眼前空间字象整合性的心理体验 ,以往论书之“流美”者 ,多以动言动唯重“笔势” ,若此则不能全面。如果从字形点画空间分布静态入手 ,从上下、左右和内外三个方面来看 ,不但字形结构的倾向与字形整体运动态势之间有着必然联系 ;而且由此引发相应的审美心理效应。
Calligraphy, a slight movement in static characters, is not only a recurrence of diachronic movement during the movement of the pen, but also a viewer’s psychological experience of integration of the characters in front of the room. In the past, Most of the moving words only heavy “gesture”, if this is not comprehensive. If we start from the perspective of the spatial distribution of zigzag painting, we can see that there is a necessary relationship between the tendencies of the zigzag structure and the overall movement of the zigzag from three aspects: up and down, left and right, and inside and outside. Moreover, the corresponding aesthetic and psychological effects are triggered.