中国当代美术史上有一道奇异的风景,史称“毕加索加城隍庙”。构建这道风景的,是今年1月刚去世,曾为中华人民共和国设计国徽、主持开国大典美术设计的艺术大师张仃先生。就像“印象派”、“野兽派”那样,“毕加索加城隍庙”最初也是一个贬义的讥称,是颓废虚无与封建迷信同流合污的同义语,足以折射那个庸俗社 In the history of Chinese contemporary art, there is a bizarre landscape called “Picasso plus Temple”. The construction of this road was the artistic master who just died in January this year, who once designed the national emblem for the People’s Republic of China and presided over the founding ceremony of the founding ceremony, Mr. Zhang Ding. Just as Impressionism and Fauvism, Picasso and City God Temple were also initially a derogatory term for the synonym of decadent nihilism and feudal superstition and refraction of the vulgar society