时至今日,只要是谈起民间舞,就必须涉及民间舞的“广场”、“教室”和“剧场”三个空间,这是一个不可争辩的事实。如果我们说“广场”民间舞是“源”,“剧场”民间舞是“流”,那么,学院的“教室”民间舞就是衔接“源”和“流”之间最精美的桥梁。我以为,无论是理论研究还是实践探索,都不能脱离这“三个空间”的内核来做文章,由民间舞的 It is an indisputable fact that as far as the folk dance is concerned, it must involve the three spaces of “square”, “classroom” and “theater” of folk dance. If we say that the folk dance of “Square” is “source” and the folk dance of “Theater” is “flow”, then the “classroom” folk dance of the college is the most delicate bridge between “source” and “flow”. I think, no matter theoretical research or practical exploration, can not be separated from the “three space” core to make an essay, by the folk dance