如果从山水画的角度来看待姬子先生的水墨方式是完全不切题的,这容易陷入到传统的中国水墨画程式中去讨论姬子先生的作品,会使问题陷入笔法墨戏之中,让艺术的问题消失,作品失去艺术精神的本体意义。在历史与当下的语意中,我们所需探讨的是姬子先生的艺术精神现场,这并不是一个空泛的概念。精神的现场包含着个人持久的立场与孤独的探索,其心智完全沉醉于艺术创造的活动中,激情从肉体扩散转 If we look at Mr.Ji Zi’s ink-and-ink method from the viewpoint of landscape painting, it is completely irrelevant. It is easy to fall into the traditional Chinese ink painting program to discuss the works of Mr.Ji Zizi, which will make the problem fall into the brushwork of ink and calligraphy, The problem disappears and the work loses the noumenon spirit of artistic spirit. In the sentiment of history and present, what we need to explore is the artistic spirit scene of Mr. Ji Zizi. This is not a vague concept. The spirit of the scene contains a personal long-term position and lonely exploration, his mind completely indulge in the activities of art creation, the proliferation of passion from the physical transfer