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书法是视觉造型艺术,是书写者情感、心境的表现,一幅好的书法作品不能太刻意,往往是在无意之中、心手两忘之时产生的,带有一定的偶然性。学书必须取法乎上,但又需融合现代人的审美情趣,所以抓住古代法帖的某一点去发挥、想象、创新就尤为重要了。现代人在审美观、古代法帖的价值取舍上近似,造成某些字的形态相似,也不足为奇,关键是线条的锤炼,审美观的提高,字外功的培养,这要靠我们一步一个脚印去努力,否则只能得其“形”,而不能得其“神”。“小作品、大气象”是一种境界,好“品相”、高“风格”是作者综合素质的表现,是现代书法人的追
Calligraphy is the art of visual modeling. It is a manifestation of the writer’s emotion and mood. A good calligraphy can not be too deliberate. It is often accidentally generated when it is inadvertently forgotten. Learning books must be law-abiding, but also need to integrate the aesthetic taste of modern people, so to seize the ancient Fateh point to play, imagination, innovation is particularly important. It is not surprising that the modern people have similar aesthetic values and the value choice of ancient Fateh, resulting in the similarities of certain characters. The key is to exercise the lines, improve the aesthetic sense and cultivate the word power. This depends on our step by step To work hard, or can only get its “shape”, but can not get its “god.” “Small work, atmosphere” is a kind of realm, good “quality”, high “style” is the author’s comprehensive quality of performance, is the chase of modern calligraphy