物象意识与线条意识——由“书画同源”到书法观念的思考

来源 :书法赏评 | 被引量 : 0次 | 上传用户:hexinyu2005
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
一中国几千年来的书法观念与书画的共同起源是紧紧纠缠在一直的。对于书画起源,张彦远《历代名画记》是这样讲述的:“古先圣王,受命应,则有龟字效灵,龙图呈宝。自巢燧以来,皆有此瑞,迹映乎瑶牒,事传乎金册。庖牺氏发于荥河中,典籍图画萌矣。轩辕氏得于温洛中,史皇、仓颉状焉。奎 The common origins of China’s calligraphy concepts and calligraphy and paintings for thousands of years have been closely entangled. For the origin of calligraphy and painting, Zhang Yanyuan’s ”Famous Paintings in Various Dynasties“ is described as follows: ”The ancient holy prince, ordered to be, there are turtle word effectiveness, the dragon map was treasure. Yao Yao, things spread to the book of gold. 庖 Xieshi hair in the river, the classics Meng pictures carry. Regulus was Wintour, the history of Emperor, Cang Jie Yan shape.
其他文献