一方水土一方天,得天时地利人(观众)和,泗州戏从说唱乞讨,到坐唱地摊,再走上舞台,成为一地方特色浓郁的剧种。就其演出剧目而言,短处与长处都是极为显著的。 短处:古装戏(包括宫庭戏、公案戏、袍带戏)与其他剧种比较,相形见绌。前辈老艺人以及目前尚活跃在舞台的中青年演员,均非科班出身,(57年,省艺校曾办“泗州戏班”,为时一年,因少师资而停办)在戏曲程式和表演艺术的掌握和运用上,较为粗糙,缺乏功力,加上文化水平不高,对古代人物的刻划和理解流于一般,甚至难免肤浅。即使当年被称为“四大台柱”传统戏,(《点兵》、《四告》、《观灯》、《大书观》)几乎完全依赖嗓音出众的女艺人,大段咏唱,招引观众,观众亦是冲着“拉魂腔”而 One side of the earth and water on the other side, have benefited from time and place (audience) and, Sizhou opera from rap begging to sit singing and singing, and then onto the stage, become a rich local features Opera. In terms of his acting repertoire, both the strengths and weaknesses are extremely significant. Disadvantages: Costume plays (including courtroom drama, courtesy drama, gown band) compared with other operas, dwarfed. The older artists and the young and middle-aged actors who are still active in the arena are not graduates. (57 years, the provincial art school had “Sizhou drama class” for one year, due to lack of teachers and stopped) in the program and performances The mastery and application of art, rough, lack of skill, coupled with the cultural level is not high, the ancient characters in the generalization and understanding, and even inevitable superficial. Even the traditional opera known as the “Four Pillars” of the year relied almost exclusively on female singers with outstanding vocals, large chants, and invitations The audience, the audience also directed at “pull soul chamber”