张兄平素喜作行押书,远绍羲献,根深宋人。于此一脉,穷究奥理,使转腾挪,变态多端。或旁依东坡之形,或假借米颠之状,抑或舞黄山谷之长枪大戟而抒己之意气。迩来兄又出新作示吾,但见飘逸风流,清新可人,令人爱不释手。是作胎息米家法,复有率性,洋洋洒洒一气呵成。用笔或伸屈,或俯仰,或行卧,或倚立,或踯躅,或徐步,或吟或息,皆是道理:结字重心上移下蹲,左顾右盼,各成姿态,诚可谓雅俗共赏。作书之难,难在情技至。情茂而 Zhang Xiping like hi for Xing Fu, far Shao Xi, deep roots and Song people. In this vein, poor study of the Austrians, make swagger, perverted. Or in accordance with the shape of the east slope, or the shape of the British upside down, or dancing yellow guns and halberd and express their emotions. Recently, brothers and a new show for my, but see the elegant, fresh and pleasant, it is put it down. It is a method of making children’s twins, restorative, eloquent at one go. Pens or flexion, or pitch, or line lying, or relying on, or 踯 躅, or Xu Bu, or Yin or interest, all are the truth: knot center of gravity on the move down squatting, left and right look, all attitude, Cheng Kezhi Elegance and commonplace reward. Hard as a book, hard to love. Love Mau