本文从叙事学角度出发,主要以南京大屠杀为例,分析了中外抗战电影中存在的异同点,并分析了原因。如外国电影多采用个体视角展开叙述,追求真实感,而中国电影则多从整体视角入手;中国电影多为讴歌战士的英勇,歌颂人性的光辉,批判野心家的不堪,而外国电影多触及人性、历史、政治、经济、民族等多元的反思。 This article, starting from the angle of narratology, mainly takes the Nanjing Massacre as an example, analyzes the similarities and differences in the anti-Japanese war films at home and abroad, and analyzes the reasons. For example, in foreign movies, the narration is more often taken from the perspective of individuality, while the Chinese film is more from the perspective of holistic film. Chinese films are mostly heroic to eulogize, praising the glorious humanity, criticizing the unscrupulous careerist, , History, politics, economy, nation and so on.