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当今的灾害摄影,将现场的状况无一死角的展示出来,一些记录者会把灾害现场尽可能展现,而另一些记录者会利用某一种承载物来展现。这些带有悲剧色彩的影像让人感受到悲伤、痛苦和对受难群体的同情,同时也带来社会各界人力、物力、财力的援助。旁观者们悲伤着,痛苦着,为逝者默哀着。随着时间的推移灾害从我们身边悄然离去了,而留给我们的是什么?是等着下一次的痛苦?还是为下一次的灾难做好准备?如何利用多种艺术形式展现灾害类摄影,让灾害以艺术形式鞭策指引着大众,如何让其成为一种备受关注的常态表达,最终让灾害摄影保留感情色彩的同时减少视觉的刺激并增加头脑的思考和心理的承载。
Today’s disastrous photography shows the scene at a fraction of a dead-end, with some reporters presenting the disaster scene as much as possible, while others use one of the bearers to present it. These images with tragedy make people feel sadness, pain and sympathy for those who are suffering. At the same time, they also bring human, material and financial assistance from all walks of life. Onlookers sad, painful, silent for the dead. As time passed, the disaster quietly left behind us, and what was left for us, waiting for the next pain, or preparing for the next disaster, and how to use various art forms to show disaster-type photography , Let the disaster guide the public in the form of art, how to make it become a normal expression of much concern, and finally make the disaster photography to retain the emotional color while reducing the visual stimulation and increase the thinking and psychological bearing.