以文艺社会学的立场,从“谁写作”、“谁媒介”和“谁阅读”三个观测点出发,可以清晰地看到由于当下汉中作家身份构成的基本状况,决定了其创作流露出特有的“崇尚自然,无求致纯”的审美情趣;汉中的文学媒介打着地方牌,始终谋求大众化方式;汉中的读者保持着精英式阅读习惯,与本地作家创作呈现疏离状态。在全球化背景下,汉中文学繁荣要注重作家、编辑与读者三方良性互动机制的建立。 Starting from the points of literary sociology, starting from the three observation points of “who writes ”, “who media ” and “who read ”, we can clearly see that due to the basic status of contemporary writers in Hanzhong, His creation reveals the unique aesthetic taste of “advocating nature, seeking pure”; Hanzhong’s literary media places a place on the card, and always seeks to popularize the way; Hanzhong readers maintain elite reading habits, and the creation of local writers Alienated state. Under the background of globalization, the prosperous literature in Hanzhong should pay attention to the establishment of a benign interaction mechanism between the writers, editors and readers.