自本世纪50年代以来,我始终生活在被画家们所包围甚至是被围攻的环境中,因此,对艺术家的思想主张是有所了解的。艺术家是喜欢走极端的,在危机中孤注一掷,即使是身败名裂也在所不顾。在他们之中有些人(多属青年)认为中国的艺术已到了穷途末日,走投无路,所以主张“全盘西化”,以挽救自己的危境;另一些人(多属老、中年)则认为中国的艺术有无穷的潜力,取之不尽,用之不竭,所以主张“继承传统”,走自己路！ Since the 1950s, I have always lived in an environment surrounded by artists and even besieged. Therefore, I understand the artists’ ideas. Artists like to go extreme, desperate for a break in the crisis, regardless of their name and deception. Some of them (mostly young people) think that the art of China has reached a dead end and is desperation, so advocating “Westernization” in order to save its own danger; while others (mostly middle-aged and old) think that China The art has infinite potential, inexhaustible, inexhaustible, so advocate “inherit the tradition”, go its own way!