前段日子品读了日本漆艺家赤木明登的《美物抵心》一书。他在书中提到,这十年来他一直在做瓷器,希望自己做的东西能出现在人们的日常生活中。“但做得越多,越找不到做的意义;越想做出美感,美的概念就越发模糊”。每逢这时,他就会抽空去拜访好友,向他们寻求答案。“究竟什么是美物?我们为什么要一直做下去”?这个问题始终贯穿于全书之中,这不仅是一个引导读者们往下阅读的线索,同时也是在向所有设计者们发问。在拜访陶瓷家小野哲平夫妇的章 A few days ago read the Japanese painter Akagi Minden’s “good works” book. He mentioned in the book that he had been making porcelain for ten years and hoped that what he had done would appear in people’s daily life. “But the more you do, the less you can find the meaning; the more you want to make a sense of beauty, the more the concept of beauty becomes more and more fuzzy.” At this moment, he will find time to visit his friends and ask them for answers. “What exactly is a beauty? Why do we always do it?” This issue runs through the book, not only as a clue to the reader’s reading, but also to all designers. At the visit to the ceramic family Ono Tsatsune couple chapter