时代变迁与社会转型所导致的艺术变革,与其说是产生了新的观念、手法、形式或趣味,不如说是出现了不同人群对人生的不同态度和在日常生活中的存在方式。在我看来,刘庆和的生存方式和他的艺术创作状态,有着异类的、边缘的倾向。“异类而边缘”的创作之所以与众不同,在于它有勇气把个人的生活姿态与艺术立场等同起来,在于它不借助或简单地利用既定的传统资源和符号系统,而在于它关注有质感的生存状态。也就是说,这种生活的道德意义并不重要,重要的它是这个仿真时代残存的有质感的生活,从而给传统水墨艺术带来一种直接的冲击力。 The change of the times and the social transformation caused by the change of art, not so much produced a new concept, technique, form or taste, as it is different groups of people appeared different attitudes toward life and exist in daily life. In my opinion, Liu Qinghe’s living style and his state of art creation have a heterogeneous and marginal tendency. The reason why the creation of “alien and marginalized” is distinctive is that it has the courage to equate the individual’s life attitude with the artistic standpoint in that it does not draw on or simply exploits the established traditional resources and symbology but lies in its concern There is a sense of living conditions. In other words, the moral significance of this life is not important, it is important that it is the remnants of the real life of the simulation era, thus bringing a direct impact on the traditional ink art.