在美国,是否存在过这样的艺术家——更何况是电影人——几十年中仅凭借着断断续续几部作品就被长期冠以“天才”的称号?即使不被大众所关注、不被世俗所赞赏,却依然值得被敬佩?你可能会想到作家托马斯·品钦,不过他的作品虽然有限,但胜在产出稳定。而从影三十五年来,由于对影像的苛刻要求以及隐士般的生活,泰伦斯·马利克的代表影片数量极为稀少,甚至第二部作品与第三部之间相隔了近二十年,每每提及总会令人惊叹。也很少有人像他一样,仅凭借第二部影片就斩获国际大 In the United States, is there such an artist - not to mention a filmmakers - the “genius” title which has long been remembered only for a few decades on and off? Not even the general public is concerned Praised by the world, but still worthy of admiration? You may think writer Thomas Pynchon, but his work is limited, but the outcome is stable output. Since 35 years of filming, Terrence Malik has had a very limited number of representative films because of the harsh demands of images and the hermit life. Even the second work, which lasted nearly 20 years from the third, Often mentioned amazing. Few people like him, just by virtue of the second film to gain international big