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通过文学和文艺发生过程,以贵州民俗事象与树木兴象为例,探讨“兴”的本真原生形态,可知当巫的意识逐渐变淡,民俗传承逐渐变化,其裸露的文学性的词语由此而显现,作为“兴”的事物的审美价值便也逐渐凸现了出来,“兴”于是化为主体的审美对象,在主客互动中上升为意象,并给人以愉悦的艺术享受,有否“象下之义”与是否“无所取”无一定通论。“兴”的仪式发生探讨,有助于找出中华民族的整体精神心理素质的内在渊源,了解不同文化传承的共同点与特色各具的差异。
Through the process of literature and art, taking the folk custom and the image of trees in Guizhou as an example, this paper explores the original form of “Xing”, and finds out that when the consciousness of the witch fades, the folk heritage gradually changes and its bare literary As a result, the aesthetic value of things as “Xing” gradually emerges. The aesthetic object of “Xing” becomes the main body and rises to the image in the interaction between subject and object and gives pleasure Artistic enjoyment, whether “under the meaning of the next” and whether “nothing” is not necessarily general. “Xing ” will help to find out the intrinsic origin of the overall spiritual and psychological qualities of the Chinese nation and understand the differences between the commonalities and distinctive features of different cultural heritage.