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引言一切写得美好的音乐作品,即使它没有赋格曲的特性和形式,但至少它应该具有赋格曲的精神。——凯鲁比尼经历了数百年历史发展的赋格,作为复调艺术形式中最为古老及重要,也是最成熟的曲体形式之一,集中体现了复调音乐的思维与特征。从十九世纪的赋格曲开始,它不再是完整的结构,而是成为段落呈示或发展结构的一个部分,其精华的辩论性依旧存在,赋格段由此衍生而来。许多大师在晚年对赋格形式的钟爱,
INTRODUCTION Everything beautifully written, even if it does not have the characteristics and form of fugue, but at least it should have the spirit of fugue. - Kairubini has undergone centuries of historical development as one of the most ancient and important forms of polyphonic art and one of the most mature forms of music. It embodies the thinking and characteristics of polyphonic music. Starting from the fugue in the nineteenth century, it is no longer a complete structure, but a part of the structure of the presentation or development of the passage. The essence of the argument still exists and the Fugue paragraph is derived from it. Many gurus love the form of Fugue in later life,