也许所有的艺术形式都存在着两种力量的撕扯与追问:积极介入当下还是对现实背过身去?是选择贴近生活、还原现实的模式还是追求形而上的哲理性?这对于当下的戏剧创作同样是个必须首先正视的问题。虽然无论哪种戏剧都有其存在的充分理由,多元化并存共生理应成为戏剧创作的基本原则,但如果选择前者,势必意味着要面 Perhaps all of the art forms have the tearing and questioning of two kinds of power: actively intervene in the present or in the reality, choose to approach life, to restore the reality of the model or to pursue the metaphysical philosophy? This is the same for the contemporary drama creation It is a problem that must be addressed first. Although no matter what kind of drama has its own good reasons for existence, the coexistence of pluralism and coexistence should become the basic principle of drama creation. However, if the former is selected, it is bound to mean