任何文艺作品一旦产生我们就得承认它是一个生命个体,所不同的只是不同类型的作品衔接与连贯的方式与手段有别而已。传统戏剧主要是通过事件的展开、人物的刻画、主题的统一等来进行衔接与连贯的。那么在众所周知的语言解体、人物与事件均被消解了的荒诞派戏剧中是如何进行衔接与连贯的呢?一反线形连贯性现代语言学研究表明,作为一个语义范畴, Once a literary and artistic creations comes into existence, we have to admit that it is an individual in life. The only difference is that there is a difference between the ways and means of cohesion and coherence of different types of works. Traditional drama is mainly through the expansion of events, characterization, the unity of the theme and so on convergence and coherence. How is it connected and coherent in the absurd drama where the well-known language is broken up, characters and events are dispelled? A linear continuity of modern linguistic research shows that as a semantic category,