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藏传佛教作为中国本土影响最为广泛的宗教分支之一,在音乐领域也有着独树一帜的传承和发展,李娜一曲《青藏高原》唱出了普罗大众对西藏的美好愿想,朱哲琴曾用一种艺术化流行风格的《阿姐鼓》和《央金玛》表达了藏教文化的魅力,前些年声名鹊起的萨顶顶也用现代电气化的手法吟唱了藏文作品,他们都在主流音乐市场获得了空前的反响,这不禁让更多人去探索藏教文化的深处究竟还有多少未及挖掘的宝藏,能为音乐艺术增添新的灵感。
As one of the most influential religious branches in China, Tibetan Buddhism also has its own unique heritage and development in the field of music. Li Na’s “Qinghai-Tibet Plateau” sang the general public’s good wishes for Tibet. Zhu Zheqin once used a The artistic style of “Jiemie” and “Jinmama” expresses the charm of Tibetan culture. Satiding, which became famous in previous years, sang Tibetan works with modern electrification, The market has enjoyed unprecedented repercussions, which can not help but allow more people to explore the hidden depths of Tibetan culture, how many treasures have not yet dug up, to add new inspiration for the music art.