欣赏粤剧离不开大锣、大钹、大鼓。一个“大”字,便把粤剧的特色概括起来。粤剧艺术大师薛觉先凭着对艺术审美的追求,意识到粤剧锣鼓,特别是在武打场面中,鼓点不够明快,密度不够,雄浑有余,潇洒不足,因此薛老先生便大胆引进,开拓粤剧舞台艺术,把京剧锣鼓及鼓点搬到粤剧舞台上使用。 Cantonese opera appreciation can not be separated from the big gongs, cymbals, drums. A “big ” word, put the characteristics of Cantonese opera summed up. With the pursuit of artistic aesthetics, Cantonese opera master Xue Jueng first realized the percussion of Cantonese opera, especially in the scenes of martial arts. The drums were not bright enough, the density was not enough, they were more vigorous and less chic. Therefore, Mr. Xue Lao boldly introduced and opened up the stage art of Cantonese opera, Beijing Opera percussion and drums moved to the Cantonese opera stage use.