没有风格,就没有真正的艺术。 从当前舞台美术总的风格形式来看,大体可以分为两大类:一是“写实”,二是“写意”。作为戏曲百花园中的一个年轻而又富有盛誉的黄梅戏,它的舞台美术,究竟以那一类风格形式比较适宜,使它既能充分发挥表演艺术,又能体现剧种风格,我想就这个问题,谈一点粗浅的认识。 我国传统戏曲“一桌二椅”“守旧”式的舞美,虽属写意范畴,但它有很大的局限性,只能起砌末道具作用,特别在表演现代生活题材时,就 Without style, there is no real art. From the current stage art total style form, can be divided into two broad categories: First, “realistic”, the second is “freehand”. As a young and prestigious Huangmei opera in the Opera Garden, it is appropriate for the stage art to be in such a style that it can give full play to the performing arts as well as the style of the genre. I think this issue , Talk a little superficial understanding. Although traditional Chinese opera “one table and two chairs” and “conservative” style of dance and beauty are a kind of freehand category, they have great limitations and can only play the role of props, especially when performing the themes of modern life