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陈十四信仰是中国传统社会重要的民间神灵信仰之一。在浙西南民间历史流传中,陈十四作为女神的形象和法力不断地被建构,不仅具有时间的跨度,也有空间的广度。长期以来,人们以说唱、表演、参拜、祭祀等多种方式传诵着她的故事。时至今日,《陈十四夫人传》的鼓词表演一直活跃在民间。本文走进浙西南民间去考察共享鼓词传统的传承人与接受者,将鼓词的文本看做一个动态的生成过程,注重在特定语境中考察《陈十四夫人传》的表演及其意义的再创造,以期更好地阐释鼓词作为一种口头艺术在浙西南丽水乡土社会民俗生活中的话语实践及其实践者的族群记忆,同时使信仰与口头叙事之间的关系能够得到更具有本质性的凸显。
Chen Xinsi Faith is one of the important folk deities beliefs in Chinese traditional society. In the folklore history of Southwestern Zhejiang, Chen Xifu’s image and mana as a goddess are constantly being constructed, not only with the span of time but also with the breadth of space. For a long time, people have recited her story in many ways, including rap, performance, worship and sacrifice. Today, the “Dr Chan Fourteen Biography” has been active in the folk drum performances. This article walks into the folk of southwestern Zhejiang to examine the traditional inheritors and recipients of the shared drum etiquette, regards the text of the euphemism as a dynamic process of production, and focuses on examining the performance of “Mrs. Chen Fusi” and its significance in a particular context In order to better explain the practice of the discourse as a kind of verbal art in the folk custom of Lishui, southwestern Zhejiang province and the ethnic memory of its practitioners, and to make the relationship between faith and oral narrative more available Essential highlights.