关于“意境”的论述,晚唐司空图、南宋严羽、晚清王国维皆有高见,本文试以上述三人论述为依托,从意境的产生源头、营造与鉴赏来抒发笔者对“意境论”的看法。意境产生源头的论述坚持了辩证唯物主义观。意境的营造强调情境交融、言外之意、弦外之声。意境的鉴赏主张在理解客观时代环境与作家主观心境之下的、不停留于字面之义的赏析。 On the “mood” “, the late Tang Sikong, Yan Yu in the Southern Song Dynasty, Wang Guowei in the late Qing Dynasty are all opinionated, this article try to rely on the three expositions, from the source of the artistic conception, to create and appreciate to express my ”Artistic Conception " view. The exposition of origin of artistic conception insists on the view of dialectical materialism. The creation of artistic conception emphasizes the blending of contexts, the implication of meaning and the sound of strings. Appreciation of artistic conception in understanding the objective era of the environment and the writer’s subjective mood, do not stop in the literal sense of appreciation.