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按照马克思艺术生产理论,艺术审美价值必须经过艺术生产的全过程,才能得到真正的实现。硬笔书法艺术同样必须经过创作、作品和鉴赏、批评三个阶段才能真正完成和实现,因此,媒介批评对硬笔书法创作起着很重要的反馈作用,批评的积累和深化为硬笔书法创作发展提供动力和养料。但目前中国硬笔书法界的批评,并不令人满意,甚至可以说,当下硬笔书法面临的窘境中,尤以此为甚,“失语”成为媒介批评最为形象的比喻。
According to the Marxist theory of art production, the aesthetic value of art must go through the whole process of artistic production in order to be truly realized. Hard-calligraphic art must also be truly accomplished and accomplished through three stages: creation, work, appreciation and criticism. Therefore, media criticism plays a very important feedback role in hard-calligraphic writing. Accumulation and deepening of criticism provide the impetus for the creation and development of hard-calligraphies And nourishment. At present, however, the criticism of the Chinese hard-calligraphic circles is not satisfactory. It can even be said that even the hard-pen calligraphy now faces the most awkward situation. The “aphasia” has become the most vivid analogy of media criticism.