论文部分内容阅读
作为2008中国“希腊文化年”文化交流的一个重要项目,希腊阿提斯剧院创始人、奥林匹克戏剧艺术节总监特奥多罗.特尔左普罗斯应希腊驻华大使馆邀请,来到中央戏剧学院为表演系05级的学生们排演埃斯库罗斯的悲剧《被缚的普罗米修斯》。经过40天的排演,该剧于2008年6月在中央戏剧学院北剧场演出。此外,特尔左普罗斯执导,希腊阿提斯剧院演出的索福克勒斯悲剧《埃阿斯》也同时在中央戏剧学院逸夫剧场演出。特尔左普罗斯是当代享誉世界的剧场艺术家。他的导演艺术注重激发演员的身体能量和肢体、声音的表现力,强调演员表演要突破心理现实主义模式的束缚,将古典悲剧的崇高内涵与当代人的生存体验紧密结合。与他的合作,极大拓宽了同学们的艺术视野,也丰富了同学们的舞台创作能力。《被缚的普罗米修斯》的演出得到了观众和专家学者的一致好评。在短短40天时间里,特尔左普罗斯尝试了各种方式和学生沟通交流,他循循善诱,甚至身体力行地进行示范讲解,终于使学生们逐渐接受了他的导演构思和创作理念。他的敬业精神赢得了师生们的广泛赞誉。为了让广大戏剧爱好者、研究者和实践者能够更深入地了解这位当代著名剧场艺术家的创作理念和实践,本刊特派编辑对《被缚的普罗米修斯》一剧的排练进行了全程记录,并且采访了特尔左普罗斯导演。本刊将这两篇文章刊出,希望广大读者能从中有所获益。
As an important project of cultural exchange during the “Year of Hellenic Culture” in China in 2008, Teodoro Treolopoulos, founder of the Greek Theater of Artis and director of the Olympic Theater Festival, came at the invitation of the Greek Embassy in China. The Central Academy of Drama rehearses Esculus’s tragedy “Prometheus Bondage” for Performance 05 students. After 40 days of rehearsal, the show was performed at the North Theater of Central Academy of Drama in June 2008. In addition, the Teroshopoulos directed the Sophocles tragedy “Aeas” performed by the Greek Theater of Artis at the same time at the Yafu Theater of the Central Academy of Drama. Telle left Pros is a contemporary theater artist. His directorial art focuses on stimulating the body energy, limbs and voices of the actors, emphasizing that the performers must break the shackles of the psychological realism mode, and closely integrate the lofty connotation of the classical tragedies with the experiencing experience of the contemporary people. With his cooperation, which greatly broadened the students’ artistic vision, but also enriched the stage students ability to create. The “Prometheus bondage” has won the praise of the audience and experts and scholars. In just 40 days, Terzulopoulos tried all kinds of ways to communicate with his students. After a long time of demonstrating and even practicing his example, he finally made his students gradually accept his director’s concept and creative idea. His dedication has won wide acclaim from teachers and students. In order to enable theatrical amateurs, researchers and practitioners to gain a deeper understanding of the creative concept and practice of this contemporary well-known theater artist, our correspondent edits the rehearsal of “Bound Prometheus” a full play Records, and interviewed Terry left Pros director. Articles will be published in these two articles, I hope the majority of readers can benefit from it.