和木桦第一次见面是在北京。那是夏天,穿着T恤一堆人敞开肚皮喝酒。我在病中,所以在一旁观战。坐我对面的大胡子木桦面孔彪悍,能喝善谈。作为80后口语写作最具代表性的诗人之一,他一贯使用的是生猛的语言,一如他在我面前的活跃表现,但细细考察之后,便会发现他其实表现的却是典型的知识分子情怀。他的内心软绵绵的, 有很多的汁液。所以他是一个异端,或者我更愿意将他称之为一个高超的“卧底”。分别时,木桦对我说,你下次来北京,就能看到我的电影了。所以从秋天到冬天,一提到木桦, 我首先想到的是电影,然后才是诗歌。很遗憾那之后我再也没有去过北京,所以没有机会看到他的电影,但现在我裹着羽绒服,在上海的冬天里,还能读到木桦的诗歌,读到一些感动和沉重的意义。 80后的诗歌里,清水是一个始终坚持自我,不轻易被外物所俘获的人。在80诗歌一代趁着夜色集体逃向小说的时候,我们看到作为记者的清水仍守着诗歌的灵魂和疆域。他的诗歌延续了新古典主义的风骨,将现代人的情感和精神用充满古意的材料和场景盛装起来,并带着强烈的宗教气氛。所不同的是,他的诗歌不是让人入定的,而是让人轻飘飘地飞在人世的上空,对生活充满了憧憬和希望。我总是会时不时收到他用手机发给我的诗歌,那些诗歌里充满了孤独和伤感,却未有绝望。我们的生活和写作的意义, 难道不就是为了前进吗? The first meeting with Wood Birch was in Beijing. It was summer. A group of people wearing T-shirts opened their belly to drink. I am sick, so I watch the game. Sitting beside me with a beard of woody beard, you can talk and talk. As one of the most representative poets of post-80s oral writing, he always uses a fierce language, just as his active performance in front of me, but after careful investigation, he will find that what he actually performs is typical. Intellectuals feelings. His heart is soft and there is a lot of juice. So he is a heresy, or I prefer to call him a superb “undercover.” At the same time, Wood Birch told me that the next time you come to Beijing, you will be able to see my movie. Therefore, from autumn to winter, when I mentioned Betula alba, I first thought of movies and then poetry. I regret that I haven’t been to Beijing since then, so I didn’t have the opportunity to see his movie. But now I’m wearing a down jacket. In winter in Shanghai, I can read the poetry of Wood Birch and read some touching and heavy significance. In the poems after the 80s, Shimizu was a person who always persisted in himself and was not easily captured by foreign objects. When the 80 poetry escaping into the novel in the dark, we saw the Qing Shui as a reporter still guarding the soul and territory of poetry. His poems continued the neo-classical style of character, and filled the modern emotions and spirit with materials and scenes full of ancient ideas, with a strong religious atmosphere. The difference is that his poetry is not contributing to people’s inclusion, but it is to let people fly in the air over the world, full of hope and hope for life. I always receive poetry he sends me on cell phones from time to time. Those poems are full of loneliness and sentiment, but they are not desperate. Isn’t the meaning of our life and writing just to move forward?