二十一世纪,人们对诗神的瞩望已接近边缘。诗歌已被置入到一个新的历史语境,二十世纪那种促使诗人们产生过量激情的意识神话般地烟消云散,空洞的理想主义连同它所有的神学迷雾也梦幻般地消失了。相对于上个世纪,他拥有了更多的自己。他无需歌颂、无需打倒,即使他歌颂与打倒,也保持了与生俱来的自由散漫的气息。没有任何一种超历史的价值构造再能统驭人们的想象力和观念,价 In the twenty-first century, people’s attention to the poem is close to the brink. Poetry has been put into a new historical context, and the ideology of the twentieth century, which prompted the poets to produce excessive passion, faded away, and empty idealism, together with all its theological fog, vanished fantastically. He has more himself than the last century. He does not need to sing, do not need to beat down, even if he praised and down, but also maintained a natural atmosphere of freedom and romance. No kind of ultra-historical value structure can then control people’s imagination and ideas, the price