江西弋阳腔传統剧目《尉迟恭》在北京演出,在招待文艺界时受到了欢迎。这戏的弋阳腔的韵味蒼老,給人一个風格高尚的感受;表演很有生活气息而又是戏曲的艺术形式;服装、化妆朴素而有助于表现性格。如在江边釣魚时,尉迟恭見有軍馬到来,想在柳蔭之下躲避一时,唱了一段[滴溜子]:“待我来把釣竿儿卷着,又把那芦簔衣穿着,再把那青箬笠戴着,篙儿撑着,櫓儿搖着,匆忙的撑着,急忙的搖着,撑着,搖着,向芦花边去藏躲,向芦花边去藏躲。”这段唱 Jiangxi Yiyang traditional drama “Wei Chi Kung,” performed in Beijing, was entertained in literary and art circles. Yiyang chamber plays old-fashioned charm, giving a noble style of experience; performance is very lively but is the art form of opera; clothing, make-up simple and contribute to the performance of character. As fishing in the river, Wei Chi Gong see the arrival of troops and horses, want to avoid the moment under the willow shade, sang for a [dribbling]: “When I came to put the fishing rod children roll, and then the reed clothes wear, then Wearing that green 箬 笠, 篙 children hold on, 橹 children shake, hurriedly propped, hurriedly shook, propped, shaking, to hide aloe to hide, to reed to hide to hide. ”This song