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谈及民族打击乐器,或许在更多的人脑海中浮现的是鼓、锣、镲等民间传统乐器,孰不知现如今的民族打击乐器已经发生了翻天覆地的变化。它不仅走上了专业的舞台成为节奏性乐器,也能以打击乐组群的形式独立演奏,更在民族管弦乐团中承担着重要的作用。不同于琵琶的柔美细腻,也不同于古筝的空灵典雅,更不同于二胡的深沉缠绵,民族打击乐器有着自身鲜明的民族特色与民族韵味。冯飘扬出生于河南安阳,5岁开始跟随乔长喜先生学习打击乐,从
When it comes to ethnic percussion instruments, there may be more traditional folk instruments such as drums, gongs and gongs appearing in more people’s minds. Everyone knows that the national percussion instruments of today have undergone tremendous changes. It not only embarked on a professional stage to become a rhythmic musical instrument, but also played independently in the form of percussion groups. It even played an important role in the national orchestra. Different from the soft and delicate pipa, but also different from the guzheng ethereal and elegant, but also different from the deep touching Erhu, national percussion instruments have their own distinct national characteristics and national charm. Feng fluttering was born in Anyang, Henan Province, starting from the age of 5 to learn percussion music from Joe Changxi