本文从设计作品认知与审美的主观条件的关系出发,通过分析认知设计作品所需要的审美的主观条件,包括审美主体的审美态度、人生阅历、文化素养等,了解审美的主观条件对设计作品各方面认知的影响。一、设计作品认知与审美的主观条件的关系李泽厚先生认为“人的主观情感、意识与对象结合起来,达到主客观在‘意识形态’及情感思想上的统一,才能产生美。”现实中的设计作品将“美”进行物态转化,并作用于作为审美主体的人的意识,即 This article starts from the relationship between the cognitive of design works and subjective conditions of aesthetics, analyzes the subjective conditions of aesthetics needed by cognitive design works, including the aesthetic attitude, life experience and cultural accomplishment of aesthetic subjects, The cognitive impact of all aspects of the work. First, the design work cognitive and subjective conditions of the relationship between Mr. Li Zehou that “people’s subjective feelings, awareness and objects combined to achieve subjective and objective in the ’ideology’ and the ideological unity of ideology in order to produce beauty. ” In reality, the design works transform “beauty” into states and act on the consciousness of the person who is the aesthetic subject, that is,