不知不觉,玩老镜头已经有三年有余了。这些年来一直沉迷于淘镜、试镜,乐此不疲,从中我感受到了老镜头神奇的魅力。从福伦达DKL镜头开始,到电影镜头,再把大像场的镜头改为潘太康6口,最近又玩起了没镀膜的老白头。在此赞叹一下北京的王学山师傅和广州艺能黎师傅的精湛技艺。他们改口的镜头技术严谨,一丝不苟,能最大限度地保持镜头原来的风格,丝毫也不会觉得突兀,就像原装卡口似的。要是没有他们的手艺,我根本不 Unconsciously, playing old camera has been more than three years. Over the years has been obsessed with Amoy mirror, audition, never tired, from which I felt the magical charm of the old camera. Starting from the FOLDA DKL lens, to the movie lens, and then changing the lens of the Grandfather field to Pen Taikang 6, it recently played a non-coated old white head. Here praise the Beijing master Wang Xue Shan and Guangzhou art to Li master’s skill. They change the lens rigorous technology, meticulous, can maximize the original style of the lens, did not feel awkward, like the original bayonet-like. Without their craft, I do not