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本文经对图中人物生平考证,以及人物局分析,重新对上海博物馆所藏明代陈洪绶《雅集图》卷进行了解读,提出不同於前人研究成果的观点:其一,图中的关键人物为陶允嘉(字幼美),而非袁宏道;其二,图中愚庵和尚既不是洪武年间高僧吴县愚庵和尚,也不是寂光寺主持愚庵,而是万年间北京慈慧寺创办人——蜀僧愚庵和尚。进而,得出此图当是画家陈洪绶应陶之请,为纪念其祖父陶允嘉拜佛虔诚之心,而特别作的“雅集图”的结论。同时,推断本图的内容是描绘了陶允嘉在京城结交社会名流,谈禅论佛的雅集活动。
Based on the textual research on the life of the figure and the analysis of the Bureau of Personnel, this article re-interprets the volume of the collection of elegant works by Chen Hongshou in the Ming Dynasty in the Shanghai Museum and puts forward the viewpoints different from those of the predecessors: First, the key figures For Tao Yunjia (word young and beautiful), rather than Yuan Hongdao; Second, the figure is not monk monk Hongwu monk Wuxian fool monk during the monasticism, nor is the monastery Temple presided over the stupid um, but thousands of years Beijing Cihui Temple founder - Shu monk fool Um Monk. Furthermore, it is concluded that this painting should be made by the artist Chen Hongshou at the invitation of Yu Tao, in order to commemorate the conclusion that his grandfather Tao Yunjia prayed for the devotion of Buddhism in particular. In the meantime, it is inferred that the content of this figure is a depiction of Tao Yunjia’s celebrity activities in the capital city engaging in social celebrities and talking about Buddhism.