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对于20世纪20-30年代的香港画坛,国画研究会香港分会(下称“香港分会”或“分会”)是重要的研究个案。该会的广东总会以坚守传统文化为务,致力发扬国画传统,代表着传统画派于中国南方的主要力量。香港分会承其宗旨,透过各种美术活动,为保存国粹作出努力,并带动了香港早期书画团体的发展。由于与广东有着直接的渊源,同时会员亦与中原地区颇有联系,分会于香港延续中国艺术传统,实有筚路蓝缕之功。然而,在以往的美术史论述中,并无关于香港分会的专文讨论。故本文拟以国画研究会香港分
For the Hong Kong painting circles from the 1920s to the 1930s, the Hong Kong Branch of the Chinese Painting Society (hereinafter referred to as “Hong Kong Branch” or “Branch”) is an important research case. The guild of Guangdong, with its adherence to traditional culture as its mission, is dedicated to carrying forward the tradition of traditional Chinese painting and represents the major force of the traditional painting school in south China. Hong Kong Chapter undertakes its mission, through various art activities, to save the quintessence of efforts, and led the development of Hong Kong early painting and calligraphy community. Due to its direct connection with Guangdong and its membership in the Central Plains, the club continued its tradition of art in Hong Kong. However, in the past art history discussion, there was no discussion on the articles in Hong Kong. Therefore, this article intends to study Chinese painting Hong Kong points