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1967年加拿大蒙特利尔成功举办了一届正式注册的世界博览会。从主题的选择、园区的规划、交通系统的设计、展馆的建筑设计以及馆内展示内容和展示方式都反映了当时社会在认知人类与之所生存的世界关系上的思考:从对科技的崇拜转而为对科技的反思。文章以当时的规划、建筑、艺术等理论思潮为依托,从世博会呈现的具体内容中予以分析解读。
1967 Montreal, Canada successfully held a formally registered World Expo. From the choice of the theme, the planning of the park, the design of the transportation system, the architectural design of the pavilion and the content and display style of the pavilions all reflect the contemplation of the society in recognizing the relationship between human beings and the world in which it lives: Worship instead turned to science and technology reflection. The article is based on the current theory of planning, architecture, art and other theoretical trends, from the specific content of the Expo to be analyzed and interpreted.