论文部分内容阅读
以贺兰山“人面”岩画为研究基点,运用图像分析方法与考古类型学方法论述贺兰山“人面”岩画的分布、图像类型,对相关地域的“人面”岩画进行图像类型的比较.在反思“人面”岩画单点起源传播观的基础上,指出将军崖“人面”岩画起源说在立论上存在着4个方面的存疑性.从地理学与图形学角度提出及论证中国“人面”岩画具有多点起源性质,并进一步讨论美洲“人面”岩画来自于中国的洲际传播问题.
Based on Helan Mountain “Renmian ” rock paintings, the paper analyzes the distribution and type of Helanshan “Renmian ” petroglyphs using image analysis and archetype typology, On the basis of the reflection of the single point of origin transmission of the rock nouveau, this article points out that there are four aspects of doubt in the argument about the origin of the rock inscription in General Cliff From the perspective of graphics, this paper presents and argues the multi-point origin of rock paintings in China and further discusses the issue of Intercontinental Spread of the Americas from Manchurian rock paintings.