我少年时对油画的直观认识就是从看王立志老师的作品而获得的,当自己也懂得一点绘画的奥妙时,开始发现王老师的画在发生变化。这种变化不仅是他中年后更多的持毛笔而不是油画笔,更重要的是他基于自己的创作体验,在画面上对中西绘画因素的融合求索。其表现为:以西画的入世情感,抒东方的哲理情思;以国画的笔墨情致,合西画的状物之功;以当代人对“美”、“丑”的经验体察,重释中国传统艺术的和谐意境。 When I was a teenager, I got an intuitive understanding of oil painting from the works of Professor Wang Lizhi. When I understood the mystery of painting a little, I began to find that the painting of Wang was changing. This change is not only more of his middle-aged holding a brush instead of a brush, more importantly, based on his own creative experience, the fusion of Chinese and Western painting on the screen. Its manifestations are as follows: the emotion of joining the WTO in the West, expressing the philosophical thoughts and feelings of the East; taking the brushwork of the Chinese painting as the example, combining the artistic achievements of the Western painting with the experience of “beauty” and “ugly” Interpreting the Harmonious Artistic Conception of Chinese Traditional Art.