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“人世”的欣然到来,加快了中国走向世界参与全球化进程的历史脚步,也把种种挑战和机遇摊摆在本土戏剧从业人员面前。此时此刻,检讨当下中国戏剧的生存态势,不可无视其所处的“中心/边缘”的二重性社会语境。在此双重语境中,“戏剧的中心化”(中心化的戏剧)和“戏剧的边缘化”(边缘化的戏剧)这一复调式命题构成了一块硬币的两面,为我们面面俱观地考察当代中国戏剧风景所不可忽略。
The happy arrival of “mankind” has accelerated the historical pace of China’s entry into the world in the process of globalization. It has also put various challenges and opportunities ahead of local theater practitioners. At this moment, reviewing the current situation of contemporary Chinese drama can not ignore the dualistic social context of its “center / periphery.” In this dual context, the polyphonic proposition of “centralization of theater” (central drama) and “marginalization of drama” (marginalized drama) constitutes both sides of a coin, To examine the contemporary Chinese theater landscape can not be ignored.