谷崎润一郎是日本“耽美主义”和“恶魔主义”作家的代表。其代表作《春琴抄》被称为谷崎文学“美意识”的精华,该作品充分体现了谷崎文学一贯的“女性至上(女性崇拜)”的主题。本文在对《春琴抄》进行文本解读的基础上,指出作品在主人公形象塑造方面,使用了外貌矛盾对比、心理矛盾对比、性格矛盾对比等几组矛盾对比手法,并进而揭示矛盾对比建构是谷崎文学人物形象塑造的真正魅力所在,从而填补了以修辞手法为切入点对谷崎文学进行研究的空白。 Tanizaki is the representative of the writers of Japanese “slavery” and “evil”. His masterpiece “Chunqin copy” is called the essence of Tanizaki literature “beauty consciousness ”, and this work fully reflects the theme of Tanigaki literature “feminine supreme ”. On the basis of the textual interpretation of Chunqin copied, this article points out that in the aspect of the protagonist image creation, the works use several contrastive contrastive methods such as contrastive appearance, contrast of psychological contradiction, The true charm of the literary figure’s imagery fills the gap in the study of Tanizaki’s literature from the perspective of rhetorical devices.