埃里克·波德莱尔国际知名的电影《重信五月、重信房子与足立正生的远征,以及没有图像的27年》建立了一个有力而复杂的叙述体系。观众透过屏幕乍一看到的不过是一组褪了色的短镜头,实际上,影片的图像主要是超8毫米摄影机所拍摄的全景或移动镜头,捕捉了当代东京与贝鲁特的日常景观。没有光鲜亮丽的图像,没有引人注意的精巧剪辑,没有对私密行为的放大。事实上这些图像渐渐作为缪斯呈现出来,增进了观众对故事的新认识。而这个故事是由画外音中两位受访者——重信五月与足立正生讲述的。第一个画外音,重信五月(亦作“重信命”),讲述了她27年并不 Eric Baudelaire established a powerful and complex narrative system internationally renowned film “Reload May, Reliance House and Adachi Yatsushiro Expedition, and Imageless 27 Years.” At first glance, the audience only see a set of faded short shots. In fact, the images of the film are mainly panoramic or moving shots taken by an ultra-8mm camera, capturing the contemporary landscape of contemporary Tokyo and Beirut. No glossy images, no compelling clips, no magnification of intimate behavior. In fact these images gradually emerged as a Muse, enhance the audience’s new understanding of the story. And the story was told by Mayo and Adachi Masamoto, two interviewees in voiceover. The first voice-over, heavy letter May (also known as “heavy letter life”), about her 27 years not