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在2001年的威尼斯电影节上,中国青年导演张扬的新片《昨天》被评为“最勇敢的电影”,虽然最终影片没有获得任何奖项,却因为其特殊的内容与独特的视角而备受瞩目。按年龄,张扬应当划入“第六代”的行列,但显然他的创作路线与第六代导演的“边缘”题材截然不同,张扬更关注电影与时代、电影与市场的契合点。他的处女作《爱情麻辣烫》即让人眼前一亮,熟悉中外电影的人虽然对这种“分段讲故事”的方法不以为鲜,因为国外早有《盲打误撞》、《低俗小说》等经典名片,国内青年导演李欣的《谈情说爱》也如出一辙,但张扬的聪明在于将都市情感的各个层面串在一起,每一部分着墨不多,却非常到位,而且电影语言简洁
At the Venice Film Festival in 2001, the latest film “Young Yesterday” by Chinese young directors was named the “Bravest Movie”. Although the final film did not win any awards, it attracted the attention of its special content and unique perspective . According to age, publicity should be included in the “sixth generation” ranks, but apparently his creative line with the sixth generation director’s “marginal” theme is very different, publicity is more concerned about the movie and the times, the film and the market point. His debut “Love Mala Tang” that makes people shine, people familiar with Chinese and foreign films Although this “staged story” approach do not think fresh, because of foreign long ago “blindly hit”, “Pulp Fiction And other classic business cards, domestic young director Li Xin’s ”love and affection" is exactly the same, but publicity smart lies in all aspects of urban emotion string together, not much in each part, but very place, and the movie language concise