“艺术不重视可见的,而是创造可见的”。造型艺术从来不是在一个诗的情调或观念中开始,而是在创造一个形象。一件绘画作品的完成,通常情况下,是画家对描绘主题的热情观照。画家站在画面前,要在一个未被理解的、混乱的、自然和生活的各种事物里确定方向,要穿过现象的多样性,到达未知的世界。画家被自然的力量、心里的体会压迫着和推动着,他把他所观照的引进作品,在时间的空间里向一切方向展开和显现,也就是建立一个新的秩序,这个新的秩序可能发展到远离自觉处理的范围。 “Art does not pay attention to visible, but to create visible ”. The art of plastic never started in a poetic mood or concept, but instead created an image. The completion of a painting, usually, is a painter’s passion for depicting the subject. In front of the picture, the painter sets directions in an unidentified, chaotic, natural, and life-like event, going through the multiplicity of phenomena to reach the unknown world. The painter was oppressed and pushed by the power of nature and the experience in his heart. He introduced and introduced the works he had observed in all directions in the space of time, that is, establishing a new order that might develop into Away from the scope of conscious treatment.