拥有蛋糕并且吃掉蛋糕,是所有《费加罗的婚礼》中的角色们所渴望的事。虽然希望并不大,但是他们在迈克尔·格兰达吉为格林德伯恩制作的版本里多多少少如愿以偿了。在博马舍书中,歌剧《费加罗的婚礼》的原设定是在塞维利亚,背景则是一处摩尔建筑风格的古老宫殿,而此次制作被带到了上世纪60年代。导演选择的时代背景,可能是主仆关系仍然时兴的最后几年,但更中肯地说,这个时代让剧 Owning cakes and eating cakes is what all the characters in the “Marriage of Figaro” yearn for. Although hope is not great, they were more or less satisfied with the version produced by Michael Grantridge for Glinderborn. In the book of Bomales, the original setting for the opera “Figaro’s Wedding” is in Seville, and on the background is a Moorish architectural style of the ancient palace, and the production was brought to the 60s of last century. The timing of the director’s choice may be the last few years in which master-servant relationships are still fashionable, but more pertinent to say that