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20世纪中期以后,现代音乐打破调性、无调性音乐创作成为主流,受此影响,大量作曲家在自己的作品中或多或少都有表现。在勋伯格去世后,用纯粹十二音体系作曲的新维也纳乐派的时代似乎已经宣告结束,但是事实告诉我们,布列兹、斯特拉文斯基、肖斯塔科维奇、巴比特、科普兰、弗兰克、马丁……等等一大批知名的和不知名的作曲家均不同程度受到了勋伯格的影响,创作出大量相关作品。可以说当代音乐的创作思维是以勋伯格的许多音乐理念为基础的,并且将其思维进行了拓展和延伸,取其精华,为己所用,丰富自身的音乐表现力。
Since the middle of the 20th century, modern music has broken the tone and non-tonality music has become the mainstream. Influenced by this, a large number of composers show more or less performance in their works. After the death of Schoenberg, the era of the new Viennese school of music composing with the pure 12-tone system seems to have come to an end, but the facts tell us that Brits, Stravinsky, Shostakovich, Bit, Copeland, Frank, Martin ... and a host of other well-known and unknown composers were influenced to varying degrees by Schoenberg to create a large number of related works. It can be said that the creative thinking of contemporary music is based on Schoenberg’s many musical ideas and extends and extends its thinking. It takes its essence, uses it for its own sake, and enriches its musical expression.