“冷落”是一种慢性病 中国的木偶艺术源远流长,积淀着 民族的文化,粹取了民间的精华,从两 千多年前遥遥走来,不经意间就已经切 换到了现代的场景。三维动漫,数码科 技,世界不断地实现着光怪陆离的可能 性,从小孩子到成年人,期望视界的日 渐提升成为必然。然后是无以抗拒的市 场大潮洗礼和所谓“消费时代”的到 来。这时候的“木偶”该往哪里走?可 以静默,以一位世纪老人的姿态坐看现 代社会的荣华或萧条,藉着“传统”倚 老卖老,靠着“艺术”自娱自乐,一步 步地移向舞台的边缘,坐等“遗产”的 封号,万一有个闪失,也就有了“保 护”的名份。 “Cold ” is a chronic disease China’s puppet art has a long history, the accumulation of national culture, taking the essence of folk, come from more than two thousand years ago, inadvertently has switched to the modern scene. Three-dimensional animation, digital technology, the world continue to realize the bizarre possibility, from children to adults, expectations of the growing horizon has become an inevitable. Then there is the irresistible tide of market baptism and the so-called “consumer era ” arrival. At this time, “Puppet ” where to go? Can be silent, with a century-old man sitting to see the glory or depression of modern society, by “tradition ” rely on the old to sell the old, relying on “art ” Self-interest, step by step toward the edge of the stage, wait for “legacy ” title, in case there is a flaw, there will be “protection ” name.