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在全国第二届戏剧节丰富多彩的剧目中,来自湖北汽车城的十堰市豫剧团演出的现代戏《风流女人》,受到北京观众的热烈欢迎,在首都戏曲界引起了强烈的反响。有人认为《风》剧的演出,远远超出了它自身的意义,这种看法十分中肯。这是因为在建设社会主义时代新戏曲的这个重要课题上,如果说新编历史剧对传统戏曲还有较多的“套路”可兹移用或借鉴,那么用传统戏曲形式表现当代生活的现代戏,则需要做移步换形的根本性的改变,其难度之大是众所公认的。在这个重要历史课题上,
In the colorful repertoire of the 2nd Drama Festival in the country, the modern woman “Merry Woman” from the Yue Opera Troupe of Shiyan City in Hubei Auto City was warmly welcomed by the Beijing audience and aroused strong repercussions in the capital’s drama industry. Some people think that “wind” drama performance, far beyond its own significance, this view is very fair. This is because, on the important issue of building new operas in the socialist era, if modern historical operas have more “routines” to traditional operas, they can use modern Chinese operas in the form of traditional opera to represent contemporary life. You need to do the basic change of step-by-step transformation, the difficulty of the large is generally recognized. In this important historical issue,