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今传本《续琵琶》作者为曹寅,证据诸多。然而仍有学者对此表示怀疑,并认为刘廷玑对《续琵琶》“外扮曹操”的记载有误。兹从戏曲传奇自身艺术特点来看,一、“外”扮曹操实为戏曲“脚色制”特点所决定之内在规定性,这同时也决定了曹操人物的正面性;二、人物的众多并不会成为演出的制约,“脚色制”的设定足以让几个人搬演有数十人物的大戏;三、不但如此,即使需要苛刻的经济条件、优伶人数,曹家家班也有足够实力来演出这场豪华大戏。脱离戏曲传奇场上演出的自身特点来探讨《续琵琶》的文学性乃至作者问题,是有失严谨的。
This biography of this “continued pipa” author Cao Yin, a lot of evidence. However, some scholars still doubt it and think that Liu Ting-chih is mistaken about the record of “continued pipa” and “acting as Cao Cao.” From the perspective of the artistic features of the opera legends, the inner prescriptiveness determined by the characteristics of the opera “Cao Cao” as “opera” and “character system” also determines the positive character of Cao Cao’s characters; Many of them will not be the constraints of the performance. “The” system of colors “is enough to allow several people to perform the operas with dozens of characters. Third, not only that, but also the harsh economic conditions, Strength to perform this luxurious drama. It is not rigorous to study the literary nature of the ”sequel" and even the author from the own characteristics of the performing arts of the opera.